When I used to teach acting, my most "challenging" studentsāthe ones who overacted or couldn't quite connectāgot a very specific prop from me:Ā food.
Yep. Real food.
Why? BecauseĀ you canāt fake eat.
When youāve got a mouth full of chips or a slice of pizza in your hand, you stop performing. YouĀ just say the line. And suddenly, it's real. It's grounded. It's human.
I once had a student eat his way through an entire play. And every. Single. Line. Sounded authentic. Why? BecauseĀ the prop pulled the performance out of him, not the other way around.
And this technique? It works in the speaking world too.
One of the most powerful monologues I ever saw was just a man, a pocket knife, and an apple. He slowly sliced the fruit as he spoke. No theatrics. No gestures. Just... presence.
(Okay, donāt bring a knife on stageāIām not trying to get you tackled by TSA. š )
ButĀ the idea stands: AĀ personal propāsomething meaningful that connects to your messageācan elevate your storyĀ instantly.
š ...
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Letās be realātodayās audiences have the attention span of a caffeinated squirrel. With phones buzzing, brains multitasking, and minds wandering, grabbing your audience's attention isnāt just importantāitās survival. As a speaker, you've gotĀ secondsĀ to go from "meh" to "Whoa, tell me more!" So how do you nail that opening moment and keep people leaning in instead of checking out?
Letās break down the art (and science) of audience engagementāstarting with the first 30 seconds.
Think of your opening as yourĀ mic drop momentāonly itās at the start instead of the end. It's your first chance to say,Ā āHey! This matters. YOU matter. Stick with me.ā
A strong hook does three things:
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Fall flat in the first 30 seconds, and it doesnāt matter how b...
The number one most boring speakers are those who think they are teaching us something. They drone on with points, information, graph filled slides and zero thought to the audiences emotional journey.
In acting, there is something called, "The Moment Before". This is a question you ask your self regarding your character the moment they before they come on the stage.
If the character enters the stage and has a line, "Hey, are you in here?" the line can read VERY differently I regards to what happened the moment before.
Here are some examples:Ā
*They just woke up from falling asleep on the lounge chair outside.
*They just ran 10 miles to get home after their car was stolen.
*They just won the lottery.
What happens the moment before makes the same line mean VERY different things.
I like to use this analogy, because your audience has a "moment before" you walk on the stage. They way they are feeling, or what they are thinking is VERY different which means your talk will go VERY dif...
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